Tag Archive | poem

why does the phoenix (billet 3)

Why does the phoenix want to garb me in fire?  Another pile of ash on my pillow.  Phoenix fiery billet-doux.   “Things unintelligible, yet understood.”

(click to read the previous billet-doux)

billet 3


do you know what but not how?
you will lose the path
in the fog of your emotions.
do not regret the past.
understand it.

you are the mud in which a stone is sunk.
clear your mind.
pick up the stone.
wetness skeins it like marble, smooth sculpted on
what shore?
where did you find this artifact?

what you call your life
is how you avoid living.
living–the outrageous adoration, absurd affirmation
of is’ness amidst all-vanish-es.

throw the stone of your heart
into the fire.
it might be an egg or a seed
that must be scorched
before it will hatch.

flying

my dream

Owl recorded my dream.  Listen:  cosmic dream radio.

I woke up yesterday.  This is what I remember:

bird's shadow blackensleave 2 candles burning/ do i go out again

I can’t help but think that some of this was due to one of phoenix’ flaming billet doux.

But there was no ash on my pillow when I woke up?

cosmic dream radio

COSMIC DREAM RADIO

owl radio dome [she is sleeping]


(if the embedded player doesn’t work in your browser, use the download link–it will open the file in another window and play it.)

owl claw

why does the phoenix (billet 2)

Wake up.  The phoenix staked another billet-doux through my pillow with a splinter of arrowwood.

It is on fire.

Wake up.

Fizzling like a sparkler.

Burning Door

Billets hard to hold through waking.   They sizzle at the edge of dream.   Wake up.   They burn themselves out.  Pillow ash brings intense, peripheral feelings, mis-sequenced, uncertain, numinous.

(click to read the first billet-doux)

***
BURNING DOOR.  IN AND OUT AND IN
LET US BE WITH EACH OTHER
THE DAYS COUNT THEM]S[?]
STAND  BESIDE
PULL CLOSE
IT IS NICE TO BURN
(  OH
INTOXICATING THE LIGHT

figures (overwhelm) redux

I feel overwhelmed.  So I decided to reblog these figures from some time ago.  Figures, as I mention on my about page,  are what I use to illustrate complex concepts.   I am working on some new figures, too, which I will publish later.  I think they are about the word ENOUGH, but we’ll see.

Black swan would like you to know that he is overwhelmed, too.  He is squawking and flapping his wings in the tidal marsh below to communicate his persistent shock and dismay.   We ate TURKEY on Thursday,  not swan, but it still was not a good day for the black swan.  (click here if you don’t know what I’m talking about).  Soon,  I’m going to have to dump out the bones, and I just hope they’ll fall somewhere he’ll never see them.

So here’s  an old post, on the word OVERWHELM.

Figures [click to enlarge]:

fig. 1

figures 3, 5, & 22

I look up

like I’ve fallen down stairs.

be what (text excavation)

moon.  across.  sun.

seize [   ]

breath

startle.  her

flock scatters

breath [   ]  swells

[  ]  [   ]  [   ]

be what.    rush of feathers

thousand-fold

my refrigerator

When cicadas hum and green things spoil themselves for autumn,

let’s go to the kitchen and stand contemplatively in the light of the refrigerator door.

Let’s grab leaves and roots and pulpy ovaries, throw them on the counter and make choices.

Let’s use sharp knives and pull with our fingers.

Let’s put things in pots and boil them.

Let’s stir and sizzle and poke until they’re done.

When they are, bring out the earthenware and a bottle of something intoxicating!

Let the night burn like sugar!

Let the days be warm and crisp as a salad!

Let us be bountiful with each other and sharp.

Let us labor and be well fed.      (    oh

it’s  nice to smell oil burning

to cut into gourds and hearts

to come inside when the sun gets all teary-eyed

and sit close in the last bit of warmth.)

my refrigerator

figures (overwhelm)

Figures [click to enlarge]:

fig. 1

figures 3, 5, & 22

Early morning

when birds start the grey rustling of their undergarments and dawn spills into its bowl like piss

I look up

like I’ve fallen down stairs.

why does the phoenix want to garb me in fire?

I first asked this question in my post on fashion.

[click to enlarge]

[cued]

 


( Phoenix: no fear of darkness.  darkness/fathoms/fire.  journey/easy. it circles/home.  ODALISQUE ODALISQUE ODALISQUE/you’re afraid of fire.  I bring a light/a match/and strike it.  FORGET MYSELF AND WATCH YOU.  COLLAPSE/LIKE WAX/COLLAPSES.  AROUND AN INTERIOR FLAME.)

figures

[       ] Odalisque.

click to enlarge.


Fig. 1

Fig.2

Fig.2 (Verso)

Fig.13

(ghosts carry blessings & strange dreams around sharp corners through cracks in the sill.)

(moonlight turns the turn of the stair into an ascension.)

(nails loosen.)

(boards creak.)

(ghosts carry blessings and strange dreams in their open palms.)

(breathlessly.)

(careful

they are exquisitely delicate

accumulations.)

(tangles of dust pins string hair.)

odalisques & the ocean

There are many things in my life which begin with the letter O.  O radiant heaven, an odalisque in an obelisk lives near the ocean!  You can see this on the map of where I live, posted on the about page.  The ocean is to the East, which means the sun rises out of it, and the moon.  As you can see from the map, there is a sand path sifted out of dunes that runs to the shore.  I have not yet taken it.

I have not left the obelisk.

From my high position, I see everything around me.  But vantage obscures detail, scope excludes intimacy (as the birds know, from their dreams).   I am not intimated in the sift of sand, the sting of salt.   I am not intimated in the shore’s cemetery, where the sea spits up its dead, only to scarf them down again.

I cannot always see the ocean from my window and this is fortunate because when I can see it, it demands all my attention.    I do not understand how people live right on the ocean because I do not understand how, if they live there, they accomplish anything.   The ocean demands attention, its variant surfaces of mood and weather, its volume, its aggression and retreat.  Fluctuation is its constant, yet, on solid earth,  it orients the movement of stars– I watch astronomical bodies revolve over it.

Ships never appear, wrecked in storms and on rocks, no doubt.  Lured by turbulent dreaming, the imaginary things with which we populate the earth’s teeming, indifferent mess.   Whirlpools.  Sirens.  Storm gods.  Monstrous sea-snakes.   Full fathom five who there lies?  Pearls and monsters are more palatable than fact: the ocean seethes with crepuscular carnage.   Tier upon tier of species, bioluminescent or dark as shadows, colorful as glass or amorphous.  Furred, tentacled, wormy, lidless, blind,  all feed on one another.   Swallow.  Scavenge.  Catabolize excrement.

I watch the ocean when it is in the window of my obelisk.

The birds say it is very pleasant on the shore, when the sun is middling high and breezes blow.  That I should put on some clothes and go for a stroll.  Take a parasol.  Some scissors.  A picnic.  A towel.

But I have not walked there.  I have not walked there.

One day I will go.

–The Odalisque

still life

The day (Sunday) being breezy easy and nothing to do

I sit in the window arranging grass in glass bottles.

This is my life, you see, and I’ve a blue box of a room,  but all, in its arrangement, is still.

This is my life, you see,  but all is restful, all is still.

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