Tag Archive | women

Henriette libre

A new letter from Henriette!

(Read her previous letter and my reply in bones, candy wrappers, a winnowing basket.)

staghorn beetle stamp

Odalisque,

Henriette libre!  Chávez became a bird, and I emulated him, slipping through the bars of my cage.   For his corpse my guards were sent to herd the queues of mourners clogging the streets.   I got my coat and walked right out, stood beneath the red portico of my prison de bellas artes.   Nearby, a confused man (at the wrong museum).  I smothered him with my coat, and stole his clothing.  Left him naked, recumbent as an odalisque upon the threshold of the museum.

I wish I could have stayed to watch him come-to, humiliated and exposed.

Do you still measure time with grains of sand?  Caracas is no desert.  I will learn to blow rings from a pipe.  Ceci n’est pas une pipe.  It is my life, lovely halos of smoke, disintegrating.

You ask if I ever learned how to love?   I try to love myself.

Here’s a photo of my new self.  I mean, my disguise.

On the lam,

Henriette

henriette with pipe

Henriette was always the wilder of us two.  Some cruel justice in her…smothering a man with her coat!  But she escaped she escaped!

Henriette,

What kind of bird is Chávez?   Maybe we have mutual friends.   We could convince him to give you a visa and you could visit us here in the obelisk?   I’m not sure how you’d get up but maybe you can rig something with smoke rings and your coat?   I have bones here–I cooked a turkey for Thanksgiving, and kept the bones because I didn’t want to upset black swan by throwing them into the marsh.    They’re in my sugar bowl.  You can have them if you want.

I put your picture in my scrapbook with a collage that is not a pipe.

If you are seen, I hope you will be appreciated.

Your (treacherous-less) friend,

The Odalisque

ceci n'est pas

Do I still measure time in grains of sand?

Fig. 1 (enough) questionnante

A series this week!  On the complex concept, “enough”

[click to enlarge]

[Fig. 1]

[Fig. 1 DETAIL]

[With words a beautiful, strange creature, all scales and song and shimmering fins, I bring out of the deep]

[for you to give you con       ]

[The beast sings in the air then submerges.  The sea folds over it.]

transparent bar

Fig. 3 (enough) enough

Part 3 of a series this week!  On the complex concept, “enough”

[click to enlarge]

[Fig. 3: Perspective]

enough frayed rope flayed eel

enough ship fire

enough_text_etc

[for years a frayed rope tied to a timber]

[floats in the tide like a flayed eel]

[etc.]

Fig. 16 (enough) shimmer

A series this week!  On the complex concept, “enough”

[click to enlarge]

[Figure 16: Variation]

enough_text_emptiness

[Emptiness, she thinks, is the reward of an open heart.]

enough she thinks

Fig. 18 (enough) bleakness

A series this week!  (Read intro here.)

[click to enlarge]

enough_text_whenisee

enough_bleakness_ship_qtrszenough_text_starspebbles

[Fig. 18]

enough_bleakness_qtrszenough_text_traveler

[You were always welcome here, traveler]

transparent bar

why does the phoenix (billet 2)

Wake up.  The phoenix staked another billet-doux through my pillow with a splinter of arrowwood.

It is on fire.

Wake up.

Fizzling like a sparkler.

Burning Door

Billets hard to hold through waking.   They sizzle at the edge of dream.   Wake up.   They burn themselves out.  Pillow ash brings intense, peripheral feelings, mis-sequenced, uncertain, numinous.

(click to read the first billet-doux)

***
BURNING DOOR.  IN AND OUT AND IN
LET US BE WITH EACH OTHER
THE DAYS COUNT THEM]S[?]
STAND  BESIDE
PULL CLOSE
IT IS NICE TO BURN
(  OH
INTOXICATING THE LIGHT

bones, candy wrappers, a winnowing basket

It came it came!  A letter via staghorn post from Henriette!  (read about Henriette here)

Dear Odalisque,

Everyone I know, used to know, is trashed and wavering in filthy board-rooms, louche galleries, swanky trashheaps.   I hear their twinkling laughter, drunken howls and outrageous tweets even here, in my climate-controlled basement.  I know they mean no harm.  They are indifferent to me.

Thank you for writing.  It is true I still have my coat, moth-eaten but sustainable, in this old trunk Matisse sketched for me.  It is true I have few visitors–but few is more than I’m used to, having desired only solitude, like you.  I with the company of bones.

Oh the bones, Odalisque.  Lacunae of exquisite topology, elaborate curvatures, like dessicated ovaries flowering against a shockingly blue sky.  Fractal erections.  Antlers.  Femurs.  Knucklebones.

We are not growing young.  It is only with labor, much much labor, that our extinguishment is not a snuffing out, but an ecstatic obliteration in light.

A guard is coming.  He will peer closely at me to assure himself I haven’t disintegrated into an obvious fake.

Write soon.

Your friend,

Henriette

On my very first scrapbook page I wrote these words:  “I will write no more of love.  Is anyone ever satisfied?”  Henriette and I both experienced a disillusionment with “love”, whatever “love” is when you’re an odalisque who everyone wants to look at.   At some point, bathed in gazes, thoughtful odalisques react to submersion in viscous adoration with the apparently outrageous question “What am I?”

Lovers come, lovers go, the retreat of street-shoes across elaborate carpets upon which we, barefoot, barely concealed by shimmering drapery, lie.  What does an odalisque feel?  Who is there, not feeling, not known?  I felt trapped inside my own desirability.   Inches beneath my skin I felt a barricade between all-but-my-surface and everything else: an unknown quantity <– my skin–> the world.  The “real” world.  I could see it, as if through chinks of  mounded rubble.   But what or who was in there looking out, so fiercely protected from invasion or intimacy?  I felt a faint wind.  I could see nothing, and the sound was a soft emptiness, a downiness into which too much had collapsed and suffocated.

The options available to Henriette & I ?  Jaded hedonism, vengeful vampishness, feverish tragedy, or domestication, a settling down, settling in.  We considered our options and cried “fuck this!”  We meant these words metaphorically, not literally, and that, that delineated something raw and fibrous  that we resolved to call “I”.  We grabbed our coats and ran.

We were never afraid of living our lives alone.

I WAS afraid of becoming brittle and sopped, trash spit out of the ocean that crumbles at a touch–corroded aluminum, brittle cellophane, the shattered foil wrapper of something toxic and sweet.  Better to be a seashell, empty and clean, or a beat-up piece of glass.  Better to be a crab scuttling away from the encroaching foam, or even the dry rasp of the dune grass, if not the dunes,  if not the collapsed lungs of the sea creatures upon the sand, if not the moon’s liquidity on the ocean’s trembling musculature, or the moon itself.  No, not the moon.  The winnowing basket woven across the sky by its mensual arcs.

That yes that.

Dear Henriette,

Did you ever figure out how to LOVE someone?

The birds all say hi.

Your friend,

The Odalisque

zeppelins?

I was so focused on my first movie!  Now that it is released, wide swathes of  languor billow in the obelisk, revealing sun, casting shade.   I sit inside it.  Mindlessness after intense focus is very pleasant for a while.

My first movie was a response to a question from a reader….how did I get into my obsidian obelisk?  Please do not hesitate to ask me any questions you might have about odalisque-hood!  It is my custom to be as forthright and delightful as possible.  You can ask questions via the comments, or by email at:

One reader question that I have not answered?   Odalisque, would you accept a caller who arrived by zeppelin?

My first exploration of this question resulted in this image:

Hmmm.  I will consider the implications of this image, and by so doing, the question.

More on that later.

Owl has buried the cupid costume in my heap of sand.  I’m still waiting for word of Henriette.

–The Odalisque

Sand [y]

It’s sandy here.  I don’t know what happened.   Wind outlandish wind a storm of wind that rattled the bed frame and deflowered windows, shattering glass.  In the morning, a pile of sand, like an hourglass emptied on the floor of my obelisk.  What duration was being measured?  What, now that the sand has sifted, will soon cease?  Is it bad luck to smash a glass of hours?  What will I do with this temporal pile of sand?

Crow would like me to build an impermanent castle.  Black swan says sand is good for wallowing in, shuffling grit into the itchy place between the wings.  The starlings swoon in discrete calculations- one grain per pursed beak, which will be more numerous?

Hawk sees in the pile of sand a microcosmic manifestation of our parched souls.

I need a broom.  It was Halloween and I wanted to be a witch because that’s what you call women who fly.  I want to fly but I don’t have a broom, so I dressed up as Owl instead.  Owl took one look at my costume and said “isn’t that a bit like gilding the lily?”  I’m not sure if “lily” refers to me or Owl.

Owl was disgruntled with all costume choices.  “Why can’t I be a fish or a movie star or a fantastic aviation device?” moaned Owl, clearly under the influence of my first movie (have you watched it?)  No, Owl is, this year, a very perturbed cupid.  Here we are, with my inexplicable heap of sand:

Owl has no access to electrical equipment at this time, so we had to take a photograph of ourselves in our costumes.  I will post a scanned version, soon.

-The Odalisque

**Here’s the scanned version of our Halloween costumes.  It enlarges :

Halloween, 2012

HOW I GOT INTO THE OBELISK

One of you, fair readers, wrote:  “Odalisque, your obelisk is very tall, and you say it is made of obsidian–a glass-like volcanic rock–with ‘no chinks for the intrepid to grip‘.  So how did you get into it?”

I rested my chin in my palm and got all misty-eyed, gazing towards an empty sea.

Why do I hate the ocean?  What good are bird friends?  Why does every odalisque need a fantastic coat?   I, The Odalisque, reveal all (even my head) in my first very low-budget movie (shot entirely on scrapbook paper):  everything I remember about HOW I GOT INTO THE OBELISK.

Rated X for cerebral exposure and unexpected violence.

Links to:

See the movie poster

See the publicity photos

Read about my heads

Read about my coat

My feelings about the ocean

How I avoid type-casting

BONUS FEATURE:  my SWIM-SUIT

Thank you for looking.  Thank you.

–The Odalisque

movie stars

The publicity photos for my upcoming movie HOW I GOT INTO THE OBELISK have just been released!  I’m a little bit miffed that the black swan is more prominently featured than me…as usual he’s flaunting his large wingspan.

This movie may be rated X.  As usual, I’m not wearing any clothes, but this movie is especially scandalous because I’m not wearing a head.  I feel shy about it, somehow.  It’s awkward having so much exposed.  For the publicity photos they shot my legs separately from my head.  That was much easier for me.

I am very eager for the release of my movie!  Final tweaks are being done.

HOW I GOT INTO THE OBELISK

STARRING:

along side

A FISH

and an

by Jimi Hendrix & the Experience

SEE YOU SOON

FAR FROM THE SILVERY MOON

ON A GLOWING SCREEN

–The Odalisque

movie poster

Hot off the press!  The publicity poster for my home-made  movie, which will soon be released.

COMING SOON TO A GLOWING SCREEN VERY NEAR YOU

HOW I GOT INTO THE OBELISK

a movie shot entirely on paper

my first movie poster

FEATURING (in order of appearance)

The Odalisque

A Fish

A Coat

Crow

Phoenix

Starlings

Black Swan

Hawk

and a minor, unmemorable appearance by a typical siren.

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